プロンプト/GPT Image プロンプト/プロンプトの詳細画像プロンプトミラノからカンヌへのストーリーボードシートキャプションとプロダクションアイコンを備えた、旅行から映画祭までの物語のための、ラフな手描きの6パネル映画的ストーリーボードシート。このプロンプトは参照画像と一緒に使用されましたこのプロンプトを使ういいね15表示111ブックマーク0次回も簡単に見つけられるよう、このプロンプトを保存または共有してくださいプロンプトを共有プロンプトコピーGoal: Create a hand-drawn cinematic storyboard sheet about a woman traveling from Milan to Cannes with a hard drive, drawn like a rough pencil-and-colored-pencil production board. Canvas: Landscape 16:9 off-white paper background, slightly textured, scanned sketchbook look. Use thin red-orange borders for all storyboard frames and the bottom icon strip. The drawing style is loose graphite pencil with soft pale blue, gray, tan, and muted red washes; imperfect perspective, visible sketch lines, handwritten lettering, and intentionally misspelled storyboard notes. Header: Across the top in large uneven black hand-lettering, write “FROM MILANO TO CANNES - STORYBOBARD”. In the top-right corner add a small rounded rectangle label with the handwritten text “2 BOSIS → TO AVE”. Layout: Use exactly 6 main storyboard panels arranged in 2 rows of 3 panels. Each panel has a thin red-orange rectangular border and a short handwritten caption beneath it. Number the panels visibly as 1, 2, 3, 4, 6, and 7, preserving the skipped numbering. Use a recurring young woman protagonist, {argument name="character name" default="an unnamed woman"}, with shoulder-length dark hair and a simple sleeveless or short-sleeved top; her face may be softly blurred or minimally detailed. Panel details and captions: 1. Interior desk scene: the woman sits side-on at a table with an open laptop, a small bowl or cup, and a soft city view through tall windows. Caption: “FINAL CUT S AM, AND FEMJUER- OUR PBSY FILR IN A TOLAND AFSAGMENT”. 2. Close-up of a hand resting on a bag or jacket, beside a small labeled hard drive or tag. Caption: “ONE HARD DRIVE, ONE LANVARD UNE SHOT.” 3. Coastal road arrival scene with palm trees, a blue road or sea, and distant Cannes-like buildings. Caption: “THE GOAST UNROALS ITALY BECOMES FRANCE,”. 4. Street on the Croisette: the woman seen from behind near palm trees, a car, a pale building façade, and a small roadside sign. Caption: “CANNE’S THE CROISEITE, HEART FOUNDING.” 6. The woman viewed from behind looking up at a cinema or festival building sign with scribbled lettering. Caption: “THERE. HFE MANE. THE BOROO.^ THREE TIMES. TO BELIEVE IT.” 7. Red carpet hallway or grand interior: the woman stands in profile looking upward, surrounded by sketchy crowds on both sides and a red carpet leading forward. Caption: “TWENTY FOUR STEPS EVERY FLASH A TEAR OF WORK.” Bottom strip: Add one long horizontal red-orange bordered strip divided into exactly 10 small rectangular cells, each containing a tiny rough icon and a handwritten label beneath. From left to right: 1) small capsule/drive icon labeled “CAPYERA PRAME MOTION.”, 2) curved arrow and letters labeled “SI REEKE.”, 3) fast arrow mark with no separate large caption beyond the strip alignment, 4) diamond/eye shape labeled “DIRECTON.”, 5) small lips/oval icon with no extra caption, 6) tilted square labeled “FORCE”, 7) star labeled “CURRENT”, 8) outlined star labeled “MAGIC:”, 9) rounded rectangle labeled “APPEARANCE”, 10) small flag/lightning mark labeled “MAGIC”. Visual constraints: Keep all text hand-drawn, uneven, and slightly nonsensical as if drafted quickly in a storyboard notebook. Maintain muted handmade texture, no photorealism, no clean digital UI, no watermark, and do not add extra storyboard panels beyond the 6 main panels and 10 bottom icon cells.プロンプトを表示
