プロンプト/動画プロンプト/プロンプトの詳細動画プロンプト作画スタイルのアニメアリーナファイト壊れたアリーナでの2D手描きアニメバトルのための複雑なマルチショットプロンプト。スタイライズされた効果と特定のキャラクターデザインを特徴とする。このプロンプトを使ういいね22表示2,231ブックマーク16次回すぐに見つけられるよう、このプロンプトを保存または共有しましょうプロンプトを共有プロンプトコピーMulti-shot (7 shots). TSUBAME (Spear Girl) — 17, lean and small, sharp jawline, short black bob with long straight bangs, fierce dark-teal eyes; sleeveless white gi top with teal trim, black shorts, bandaged forearms and shins, split-toe boots; carries a two-meter spear with a slim leaf-blade head — the spearhead and her motion trails read cyan. GARAN (Brawler) — huge, over two meters, slab-muscled, shaved head, heavy brow, small pale eyes; bare-chested with a cracked stone-grey harness strap, massive taped fists, canvas trousers, iron-shod boots. Every slab he rips from the floor glows ember-orange in its tear-lines, and orange dust light clings to his hands. Style: 2D hand-drawn cel animation, film-grade sakuga action. Clear line art, flat cel shading with hard shadow boundaries; non-photoreal — no pore-level skin, no 3D volumetric render feel. Fighter colors LOCKED: Tsubame = cyan (spear-tip glint, afterimage trails, speed-lines), Garan = ember-orange (molten glow in every floor tear, rubble rim-light). All glows two-tone — white-hot core, saturated colored rim, trailing dust and embers that linger after each impact. World: desaturated slate-grey shattered arena with a huge faded mosaic emblem in the floor, so both hues detonate off it. The nearest glow is the key light — cyan rim on her, orange bounce on him and the rock. Bold corner-to-corner diagonals on action; fast beats drawn as key poses, smear frames, and impact frames — never continuous legible travel. Real mass everywhere: slabs are tons, not props. Camera: animation camerawork — snap-zooms, speed-lines, orbits, held frames, hit-stops all allowed. ⚠️This video has STRICTLY 7 shots — do not add extra shots. ⚠️SPATIAL LAYOUT (MAIN VIEW = from the SOUTH side, top-down axis west–east; screen-left = west, screen-right = east): Tsubame starts at the west edge facing east (screen-right, toward Garan); Garan stands ~18m east of her, facing west (screen-left, toward her). Her vault path travels west→east, rising diagonally toward the upper frame as she climbs the airborne chunks. 180° LINE: camera stays on the south side all clip — Tsubame on screen-left, Garan on screen-right, no swapping. ⚠️ACTION VECTORS: (V1, SHOT 2) Garan hurls a car-sized slab two-handed, east→west (screen right→left), at Tsubame's center mass — she slides flat under it; it detonates on the floor west of her. (V2, SHOT 3) Garan's right-arm sweep flings a fan of rubble east→west — she runs into it and vaults the chunks. (V4, SHOT 5) Garan's right backhand sweeps east→west at her head as she reaches the fourth chunk — she plants the spear in the chunk and corkscrews around the shaft past the fist; one shard grazes her LEFT cheek. (V5, SHOT 7) Tsubame's spear thrust travels west→east (screen left→right) through the center of his final slab into Garan's crossed-forearm guard at chest height — he is driven east, heels carving trenches. ⚠️Continuity across cuts: designs, colors, and arena damage stay identical and only progress, never reset — the left-cheek cut appears in SHOT 5 and persists bleeding a thin line through SHOTS 6–7; rubble and craters only accumulate. [SHOT 1] · Anticipation (~2s): scale-wide, static with a slow drift — two tiny figures on the vast cracked mosaic. Garan RIPS a car-sized slab out of the floor, orange light flaring in the tear-lines, and shoulders it; across the arena Tsubame drops low, spear leveled flat, one toe carving the dust. Her breathing is even; his grin is wide. [SHOT 2] · The slab (~2s): low lateral tracking with her — the slab comes in huge, right→left; she slides flat under its shadow, back scraping sparks, and it detonates behind her in a wall of grey dust with an orange core. She's up and sprinting before the debris lands. [SHOT 3] · The scatter (~2.5s): Garan tears the floor again and sweeps his arm — a shotgun fan of rubble fills the air right→left. She doesn't brake; she accelerates INTO it, first vault off the lowest chunk, drawn as anticipation pose → smear → landing pose. Lunge-track, background streaking. [SHOT 4] · The staircase (~2.5s, the money shot): low hero-angle orbit rising with her — Tsubame vaults chunk to airborne chunk up the diagonal, each foot-plant cracking the stone she leaves, cyan afterimage stitching one unbroken line through his barrage. Below and ahead, Garan's eyes narrow — he's reading it. [SHOT 5] · The backhand (~1.5s, brief slow-mo): his colossal backhand fills the frame right→left — she plants the spear in the fourth chunk and corkscrews around the shaft, the fist parting her hair, a shard opening a thin cut on her left cheek. Blood beads. Snap back to full speed as her feet find the chunk's edge. [SHOT 6] · The gate (~1s): held extreme close-up, slow push-in — her eyes only, no blink, cyan spearhead light reflected across them, the cheek-cut's red line sharp against the cel shading. Behind her focus, blurred, Garan heaves the biggest slab of the fight overhead, orange light pouring through its cracks. [SHOT 7] · The pierce (~3.5s): he hurls the colossal slab — she dives spear-first off the top chunk, left→right, and PIERCES STRAIGHT THROUGH ITS CENTER: the slab splits into two halves that peel past the camera. All sound — music and SFX — drops dead silent for the half-beat of the pierce; one deep concussive boom resolves it as the spear-tip slams into his crossed-forearm guard. Hit-stop on the impact frame, FX touching all four edges, near-white color-out. Then motion resumes: Garan is driven backward, iron heels carving twin trenches, the floor cratering — and holds his feet. Camera whips with her dive, freezes on the hit-stop, then eases back to a wide: both standing, dust ring expanding, the exchange over but the fight not. Environmental activity: no bystanders — an empty ruined arena; dust motes and small debris rain steadily after every impact; distant rumble of settling stone. Audio: music allowed and scored to the fight; full SFX — stone shear, rubble whistle, the silence-drop and single boom on the pierce. The two fighters remain two distinct, separate bodies in every frame, even at full contact. Faces, hands, and designs stay on-model start to finish — five-fingered hands with clean articulation, correct limb topology, character designs identical shot to shot. The spear keeps its slim leaf-blade shape and full two-meter length in every frame. Rubble flies on heavy ballistic arcs with real tonnage — each chunk accelerates, hits hard, and stays down; her foot-plants grip and crack the stone they leave (the SHOT 5 slow-mo and SHOT 7 hit-stop are deliberate, intentional holds). Full fluid high-frame-feel animation with a living camera throughout; matte hand-drawn cel surfaces; color stays disciplined to the locked cyan/orange/slate palette. No watermark, no on-screen text, no subtitles. 15 seconds. 16:9.プロンプトを表示その他のプロンプトハイオクタンの武侠アニメ戦闘@lansenaiSeedance 2.0を使用したピクセルアートアニメーションの試み@TanShilong高速アニメ作画デュエル@Korgamiaiインク洗い戦闘ゲーム15秒シネマティック@RuiAI2024マンガバイジランテ屋上決闘プロンプト@GdgtifySeedance 2.0用の2Dスティックマンバトルアニメーションプロンプト@ertanlabs五条 vs. 宿儺 アニメーション with Seedance 2@YaseenK7212Seedance 2.0のための2D格闘ゲームシーケンスプロンプト@yachimat_manga他のカテゴリーを探索用途その他シネマティックシーンショートフィルムVlog/ライフスタイルブランド/商品CMゲームシネマティック/PVその他スタイルその他シネマティック実写風ファンタジー/魔法サイバーパンク/SFアニメシュール/夢幻その他被写体その他人物/キャラクタースポーツ/アクション都市/街並み動物/ペット群衆/グループその他
